Pyramids are all over the world. Built by numerous civilizations. Join us as we explore what exactly classifies a structure as a pyramid, the who and why of their construction and did Egyptians travel to South America? Perhaps the Mongoose Equation can help us answer that one…
Nerds on Film
Episode No. 71 — Mel Brooksuary: Peruvian Death Squad Allegories
Nerds on History’s Eric Bricmont is a guest this week as NoF measures their respective Schwartz’s via a discourse on Spaceballs.
Content:After a rousing conversation about whether we like sci-fi parodies, we got to the meat and potatoes of the episode, Mel Brooks’s Spaceballs. Throughout the episode we shared lots of fun information, such as:
- The film was Bill Pullman’s first film. He had been seen by Brooks in a theatre production in LA prior to casting.
- Brooks was originally looking for a big star to lead the film, and tried to get Tom Cruise and Tom Hanks to take the role of Lone Star before casting Pullman
- The scene where Barf tries to get up with his seatbelt still on was an accident. John Candy improvised “Oh! That’s gonna leave a mark” and they kept it.
- “Spaceballs: The Book”: R.L. Stine of Goosebumps fame wrote the novelization.
- The scene with Dark Helmet playing with the action figures also wasn’t in the script. Brooks came up with the idea on set one day, told the idea to Moranis who then improvised the entire scene.
- Vespa is the Italian word for WASP. (hehe)
- Brooks and George Lucas had a “Fair Use Agreement” that would not allow for Spaceballs merchandise like that depicted in the film to be produced.
- Brooks was conflicted about the Jewish (Druish) jokes in the movie. He was ashamed they were in there but proud that he left them in.
We were surprised to learn that while our guest Eric, while not a heavy film nerd, has seen Spaceballs at least a dozen times, and can speak adamantly about it.
Les Misérables has been drenched in the saliva of so much internet gossip for the past year that it was easily one of the most anticipated movies of 2012, especially for us musical theatre geeks. I spent quite a significant amount of time pouring over articles, getting casting information (anyone else remember Taylor Swift being offered the role of Éponine?), and feeling anxious when I learned that Tom Hooper (The King’s Speech) would have the actors sing live. It almost became a bit more hype than I wanted, and I had to scale back on how much I read beforehand, or how many pictures I wanted to see of Anne Hathaway without hair. It turns out this sort of publicity is rather traditional for the story; Victor Hugo’s 1862 novel, from which the 1980s stage musical is derived, was advertised in papers and discussed up to two years prior to publishing. Old habits die hard, I suppose.