History is full of conspiracy theories. This week, special guest Kevin Sutorius joins us as we focus on conspiracy theories from recent history. Follow us on Twitter @Nerdonomy, and don’t forget to check out the new Nerdonomy.com!
Movies and beer go amazingly well together. In some cases, drinking enough beer can make a movie which would otherwise be a steaming pile of cow dung, absolute poetry. In other cases, though, finding the perfect beer that compliments a film can help shed new light on it by allowing not only your senses of sight and sound to experience it, but your sense of taste as well. Having had this epiphany, I thought it only prudent to share my vast knowledge of brews and movies through a beer and movie pairing.
Continuing the theme of famous things associated with Halloween, Eric and Bryan discuss history and legends behind monsters, both famous and obscure. We hope you enjoy it; it was a fun one to record!
“Creature of the Black Lagoon” and “Gill-Man” are the property of Universal Pictures.
Part 1 – Laying the Foundation
The concept of intelligent life forming outside of our planet has been around for quite some time. Most people throughout history have conceptualized this idea as a powerful supreme being, a god-like intelligence that determines the fates of the very people that believe in it. That is not what this blog is about. While the search for a higher power is a worthy cause for any theologian or spiritual enthusiast, I’m looking to discuss something a little more down to earth… or at least earth like.
Les Misérables has been drenched in the saliva of so much internet gossip for the past year that it was easily one of the most anticipated movies of 2012, especially for us musical theatre geeks. I spent quite a significant amount of time pouring over articles, getting casting information (anyone else remember Taylor Swift being offered the role of Éponine?), and feeling anxious when I learned that Tom Hooper (The King’s Speech) would have the actors sing live. It almost became a bit more hype than I wanted, and I had to scale back on how much I read beforehand, or how many pictures I wanted to see of Anne Hathaway without hair. It turns out this sort of publicity is rather traditional for the story; Victor Hugo’s 1862 novel, from which the 1980s stage musical is derived, was advertised in papers and discussed up to two years prior to publishing. Old habits die hard, I suppose.