Eric and Bryan welcome Nerds on Film co-host David McGuire as they discuss the fascinating topic of cryptozoology. Enjoy!
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Once again, it’s time to take a stroll down lover’s lane. Every love has a story. Today’s love is Hook.
(WARNING: The blog you are about to read may incite anger. Please remember, this is one man’s opinion. Oh, and it’s full of explicit language.)
The Blind Date:
Ahh first loves. We’ve all had them. They provide the base of the do’s and don’ts for future relationships, what we like and don’t like, and what our next relationship will be. It’s an exciting time. My first love was a young thing by the name of Hook. I remember it like it was yesterday…
Hello there, dear listeners and readers! At last, we have arrived to the end of my Top 20 with the remaining 5 to go! If you’ve stuck with these posts, thank you and I hope I added some more movies to your list to see!
*Footnote: Again,here are a few key words that helped me narrow my focus on why certain movies were chosen: Risk, originality, genuine, geeky, beauty, closure, intensity.
Nerds on Film
Episode No. 70 — Mel Brooksuary: I Was Going To Make Espresso
The month of Mel Brooksuary continues with The Nerds welcoming special guest Roxi Nobari to talk about Mel Brooks’ masterpiece Young Frankenstein.
After a rousing conversation about which dead cinematic character we’d bring back to life, we launched into a fabulous discussion over what is arguably Mel Brook’s masterpiece: Young Frankenstein.
Les Misérables has been drenched in the saliva of so much internet gossip for the past year that it was easily one of the most anticipated movies of 2012, especially for us musical theatre geeks. I spent quite a significant amount of time pouring over articles, getting casting information (anyone else remember Taylor Swift being offered the role of Éponine?), and feeling anxious when I learned that Tom Hooper (The King’s Speech) would have the actors sing live. It almost became a bit more hype than I wanted, and I had to scale back on how much I read beforehand, or how many pictures I wanted to see of Anne Hathaway without hair. It turns out this sort of publicity is rather traditional for the story; Victor Hugo’s 1862 novel, from which the 1980s stage musical is derived, was advertised in papers and discussed up to two years prior to publishing. Old habits die hard, I suppose.
